teacher librarian – Learning through the Library

The Social Life of Books: Why Teen Readers Follow Their Friend

Reading is widely recognised as a critical skill for young people, supporting the development of strong cognition, mental health and empathy. A growing body of research consistently shows that recreational reading in particular is linked with academic achievement, improved emotional regulation and more nuanced interpersonal understanding. Building a culture of reading, therefore, is not a peripheral task for schools. It lies at the heart of nurturing thoughtful, resilient and socially capable young people.

Yet despite these well established benefits, many children and teenagers do not naturally turn to teachers or teacher librarians for book recommendations (Merga, 2012). To be blunt, young people do not necessarily see adults as cool. Recommendations from teachers, no matter how well intentioned, may lack what adolescents consider to be genuine social credibility. The street cred factor is real, and it is powerful.

This dynamic is clearly supported in contemporary research. Rutherford, Singleton, Reddan, Johanson and Dezuanni’s report Discovering a Good Read: Exploring Book Discovery and Reading for Pleasure Among Australian Teens found that teens prefer “recommendations from friends (57%)”, a finding emerging from a nationally representative survey of more than thirteen thousand Australian secondary students. These findings reinforce what many educators observe anecdotally. Reading among teens is not only an individual cognitive task but also a profoundly social practice.

Further evidence comes from the work of Dr Margaret Merga, a well respected Australian researcher in literacy and reading engagement. In a mixed methods program examining the influence of social attitudes on reading behaviours, Merga (2012) noted that “perceived friends’ attitudes can have a more significant influence on boys than girls, [therefore] making books socially acceptable for boys should be a priority for educators.” This underscores the idea that book talk among peers is not merely casual chit chat. It is a mechanism of social permission. When books gain traction within a peer group, they gain legitimacy and ethos (Merga, 2012; Merga 2014).

Australia Reads similarly emphasises the importance of social engagement in building sustainable reading habits. Its principles highlight that young people need “positive social reading experiences” and opportunities to “recommend, discuss and share books and other texts in ways that are personally enjoyable and relevant”. In other words, reading thrives when it is relational.

At Lauries, we see these principles in action every day. While staff recommendations certainly have their place, it is peer driven reading culture that most reliably sparks curiosity, especially among reluctant readers. This is why we actively encourage students to reflect on and review the books they read. Their voices matter. Their opinions shape the reading landscape for others. The broader research base supports this emphasis on social recommendation and discussion as a driver of voluntary reading.

A visible expression of this culture is our wall of Lauries Lads Lit Picks. This growing collection showcases books that our students have personally endorsed. We often see reluctant readers wandering over, flicking through the displayed reviews until they discover a familiar name. That moment of recognition is powerful. When a friend or respected peer has enjoyed a book, the barrier to entry drops dramatically. The book becomes not just a text but a shared experience waiting to happen. The pattern aligns with evidence that peer attitudes and friend recommendations play an outsized role in adolescent book choice.

Cultivating a socially rich reading environment therefore requires more than simply providing access to books. It involves elevating student voice, valuing peer influence and creating spaces where reading is openly shared, discussed and celebrated. The evidence is unequivocal. When young people are given opportunities to recommend books to one another, their engagement deepens and their confidence as readers grows. Reading becomes woven not only into their academic lives but into their friendships, identities and everyday conversations.

By continuing to champion peer driven discovery, we support our students not only to read more but to read with curiosity, connection and purpose. That is a foundation that benefits them far beyond the walls of the library

references

Australia Reads. (2025, September 23). Major new report offers 6 key principles to support young people’s recreational reading. https://australiareads.org.au/news/6-principles-support-young-people-reading/ [australiar…ads.org.au]

Crowther Centre. (n.d.). Getting young people to read. https://www.crowthercentre.org.au/resources/getting-young-people-to-read/ [crowtherce…tre.org.au]

Merga, M. K. (2014). Peer group and friend influences on the social acceptability of adolescent book reading. Journal of Adolescent & Adult Literacy, 57(6), 472–482. https://doi.org/10.1002/jaal.273 [researchgate.net], [periodicos…pes.gov.br]

Merga, M. K. (2012). Social influences on West Australian adolescents’ recreational book reading [Conference presentation]. ECU Research Week. https://core.ac.uk/download/pdf/41527861.pdf [core.ac.uk]

Rutherford, L., Singleton, A., Reddan, B., Johanson, K., & Dezuanni, M. (2024). Discovering a Good Read: Exploring Book Discovery and Reading for Pleasure Among Australian Teens. Deakin University. https://eprints.qut.edu.au/247629/ [eprints.qut.edu.au]

Termtime tomfoolery: Using lunchtime activities to market the library as a dynamic space.

Lunchtime in a library can sometimes be overlooked as a quiet or transitional part of the day. In reality, it is one of the most powerful opportunities libraries have to connect with their community. Lunchtime events turn a regular break into a moment of discovery, drawing people into the space, engaging those who may feel unsure or disconnected, and strengthening the library’s role as a welcoming and active hub.

Library events are vital for building a rapport between a school community and their library because participating in a simple activity can lead to conversations. From there, it becomes easier to talk about books, recommend reading, or explain what the library can offer. This is because for many people, a lunchtime event is someone’s first positive and relaxed experience in the library, helping them feel more confident and welcome. The brilliance lies in the fact that lunchtime events naturally attract foot traffic. Students and staff are already moving around, looking for somewhere to go or something to do. Hosting activities during this time removes barriers to participation. There is no need to stay after hours or commit to a long session. People can simply wander in, take part, and head off again because these activities are flexible and easy to join. Not everyone wants a formal workshop or a structured program during their break. Drop in challenges and creative prompts allow people to engage at their own pace, whether they stay for two minutes or twenty.

20260217_0801114780374095474908343 — Heartfelt Haiku and prizes for winning entries.

Furthermore, connecting lunchtime challenges to theme days and seasonal events helps keep them fresh and relevant. It gives people a reason to take part right now and adds a sense of fun and anticipation. Over the past few weeks, our library has run challenges such as Heartfelt Haiku for Valentine’s Day and Library Lovers’ Day invited participants to reflect on their love of reading and libraries. Lantern making for Lunar New Year created a hands on way to celebrate culture and tradition. A recent voting challenge between Dog Man and Diary of a Wimpy Kid tapped into popular reading interests and friendly competition. Now, in this past week, the Falling into a Book challenge has encouraged readers to embrace the new season with a new story.

Lunchtime events transform the library into a social and welcoming space. A table set up with a challenge, a craft activity, or a voting station often sparks curiosity. Someone who had no intention of visiting the library may step inside just to see what is happening. Once they do, they are surrounded by books, displays, and friendly faces. Lunchtime events create opportunities for spontaneous engagement that might not happen at any other time of day. They also show that the library values participation in many different forms, not just quiet reading. Afterall, when people participate together, even briefly, they share experiences that build a sense of belonging. Over time, these shared moments help strengthen relationships between library users and staff. The library becomes known not just as a place to borrow books, but as a place where people feel comfortable, included, and valued.

Lunar New Year Display and handmade lanterns.

Lunchtime events quietly demonstrate the broader role of libraries. They show that libraries are dynamic spaces that respond to their communities, encourage creativity, and support wellbeing as well as learning. School libraries that use their lunchtime activities or challenges to build connections and rapport with their communities can turn an ordinary break into a meaningful connection and remind everyone why libraries matter.

Historical Fiction: Her-stories are as important as His-stories.

History is often presented as a clean line of dates and deeds, with women’s voices muted or missing. Yet when I read historical fiction, I hear those voices rise. It is in the imagined conversations, the textured inner lives and the careful stitching of research to narrative that women like Eleanor of Aquitaine step out from the margins and take their rightful place at the centre of the story. Historical fiction does not replace the archive. It complements it. It gives shape to the silences and lets Her story speak.

Eleanor of Aquitaine has captivated me for years. She was queen of France, then queen of England, duchess in her own right, patron of culture and mother to kings. Even through the writings of men who often judged powerful women harshly, she still appears intelligent, beautiful, strong of will and frequently labelled as wilful. That tension between what the record says and what it leaves unsaid is exactly where historical fiction does its best work. Through fiction, we can inhabit the rooms where the clerks did not sit, hear the words no chronicler bothered to write, and feel the force of a woman who shaped her world.

Because I am fascinated by Eleanor, I have read widely across authors who approach her life from different angles over my last summer holidays. Each one balances fact and imagination to reveal a fuller portrait. In their hands, Eleanor becomes more than a figure on a timeline. She becomes a person, with agency, complexity and heart. Reading these books has reminded me again and again that history is not only his story. It is also her story, and it deserves to be heard.

Why Historical Fiction Lets Her Story Speak

Historical fiction gives us the space to ask human questions that sources do not answer. What did courage feel like to a woman whose decisions could alter a dynasty. How did she manage loyalty and love in a world that traded both for advantage. What language did she use for her ambitions, her fears and her hopes. Novelists use careful research and responsible imagination to explore these questions. They do not invent the past. They interpret it with empathy, so that readers can understand lives very different from our own.

For women, this matters deeply. The written record often reflects the priorities of men who held the pen. Fiction can step into the gaps and consider the private sphere where much of women’s labour and influence took place. It can restore friendships, mentorships, rivalries and choices that formal chronicles overlook. Reading such stories changes how we see the past. It prompts us to look again at the sources, to notice what was omitted and to seek out voices that were ignored.

This is why I keep returning to Eleanor of Aquitaine through fiction as well as history. Each book adds texture to the tapestry. Each author brings a new hue to the same thread. Together they create a portrait that feels whole. In listening to these imagined yet carefully grounded voices, we are not abandoning truth. We are widening it. We are acknowledging that history is a chorus, and that Her story deserves to sing just as clearly.

Her life reminds us that the past belongs to all of us. Reading and sharing these novels is one way to make sure that our understanding of history includes the women who shaped it. His story has been told for a long time. It is time for Her story to be heard alongside it, fully and without apology.

So if you would like to know a bit about Her-Story, here are some of the amazing authors who wrote about Eleanor:

Books by Elizabeth Chadwick featuring Eleanor of Aquitaine
The Summer Queen
The Winter Crown
The Autumn Throne

Books by Jean Plaidy featuring Eleanor of Aquitaine
The Courts of Love
Eleanor of Aquitaine: The Young Queen
Eleanor of Aquitaine: The Rebel Queen

Books by Sharon Penman featuring Eleanor of Aquitaine
When Christ and His Saints Slept
Time and Chance
Devil’s Brood
Lionheart
A King’s Ransom

Books by Alison Weir featuring Eleanor of Aquitaine
Eleanor of Aquitaine: By the Wrath of God, Queen of England (non fiction)
Captive Queen (fiction)

The Peaks and Troughs of a Term.

A term in the life of a teacher librarian is never a simple, steady journey. It rises and falls in energy and pace, shifting between calm stretches, intense bursts of activity and a mid term crescendo that only those who have stood behind a circulation desk during second break truly understand. Teacher librarians do not just follow the rhythm of the school term. We breathe it, support it and often hold it together with a blend of planning, flexibility and a genuine love of learning.

The beginning of the term often appears calm on the surface, but behind the scenes it is a hive of thoughtful planning and collaboration. This early period is spent mapping out programs, updating units, preparing resources and scheduling literacy and information literacy lessons across the curriculum. It is the time for meetings with teachers who bring new ideas for research tasks, nurturing fledging literacy programs or supporting disciplinary literacy through explicit vocabulary instruction. These conversations help shape the curriculum support that will run throughout the term and ensure that every lesson and library experience has purpose and structure. It is also the time for deeper discussions with Heads of Curriculum to align expectations, strengthen research skill development and embed digital and information literacy meaningfully across year levels. The work may be quiet, but it forms the foundation for everything that follows.

By the time the middle of the term arrives, the calm has vanished completely. The library becomes a vibrant and sometimes chaotic hub of constant movement. Students flood through the doors needing books, recommendations or support with upcoming assessments. Borrowing sessions become lively and energetic as classes arrive with armfuls of returns and requests. This is also the busiest teaching period of the term, when the carefully prepared information literacy sessions come to life. Research skills, digital literacy, source evaluation, referencing, note taking and inquiry support all happen at a rapid pace. Teacher librarian roles expand and overlap as we teach back to back lessons, guide students through tasks, troubleshoot technology and support teachers in real time as units unfold.

Amid the flurry, collaboration continues in more practical and immediate ways. Teachers pop in needing quick resources, task sheets are updated on the go and reading groups or book clubs meet regularly. Displays evolve to match what is happening across the school and the flow of students keeps the space buzzing. Moments of humour, curiosity and connection appear constantly, whether it is a student searching for a book they can remember only by its colour or one who is unsure whether reading ten pages a night officially qualifies them as a reader. It is busy and demanding, but it is also the most rewarding time of the term.

As assessment deadlines pass and the term moves into its later weeks, the pace softens again. Students return to the library in search of quiet corners for study, calm spaces for reading or simply a break from the noise of the school day. This slower period allows time to catch up on the larger ongoing projects that were temporarily buried beneath the mid-term rush. There is even the rare moment where a cup of chai stays warm long enough to be enjoyed.

By the final couple of weeks, the library takes on a different kind of energy. Lost books mysteriously reappear from lockers and school bags when billing invoices get sent home. Teachers arrive with last minute requests for resources or holiday reading suggestions. Then there is my own teaching practice, my own classes I have to teach, assess and report on.

Despite the peaks, troughs and everything in between, there is a satisfying sense of purpose in the ebb and flow of library life. Teacher librarians witness students discover stories that inspire them, questions that challenge them and skills that will carry them far beyond the classroom. These moments make every busy break, every full borrowing session and every packed week of information literacy worth it.

Keeping Minds Sharp: Beating the Summer Reading Slump Together

As the scholastic year draws to a close, children and teenagers eagerly anticipate the long summer holidays filled with play, family time and relaxation. While this break is important for wellbeing, research consistently shows that it can also lead to what is known as the summer reading slump. This phenomenon refers to the decline in literacy skills that many children experience during extended school breaks. Studies have found that children can lose up to a month of learning over summer, particularly in reading and spelling, with the effect most pronounced among children from lower socio-economic backgrounds who may have limited access to books and literacy-rich environments (National Library of New Zealand, n.d.).

Evidence from New Zealand highlights the importance of structured literacy teaching in preventing this decline. A study published in the New Zealand Journal of Educational Studies determined that the impact of explicit phonics, phoneme awareness and decoding strategies can embed foundational skills deeply enough to withstand the summer gap (Vosslamber, Walker, Millar-Swan, Motha, & Gillon, 2025). This reinforces the idea that strong classroom instruction can provide a buffer against learning loss.

Alongside structured teaching, regular reading at level is critical. When children engage with texts that match their ability, they reinforce vocabulary, comprehension and decoding skills while building confidence and motivation. Reading at level prevents cognitive decline associated with long breaks from literacy activities. Research also shows that children who participate in summer reading programs are more likely to maintain or improve their literacy skills. Benefits include increased motivation, improved comprehension and stronger connections between home and school learning (Reading Eggs, n.d.).

Governments and councils are aware of the risks posed by summer learning loss, which is why many have invested in free summer reading programs. These initiatives encourage children to keep reading for pleasure and skill development during the holidays. The Brisbane City Council Summer Reading Program, for example, offers fun challenges, rewards and community engagement to keep children motivated throughout the break (Brisbane City Council, n.d.). Programs like these not only support literacy but also foster a love of reading that lasts well beyond the summer months.

At my school, we have taken this one step further by setting up a summer reading challenge for both staff and students in the form of bookmarks. Students were given bookmarks that encouraged them to read a funny book, a book with a hero, a book by an Australian author and a book with an animal character.

Staff were challenged to read a book that made them laugh, one that made them cry, a book that gave hope and one recommended by a friend. This shared challenge not only promotes literacy but also builds a sense of community, with staff and students alike engaging in conversations about their reading choices and discovering new perspectives together.

The summer holidays should be a time of joy, but they do not have to mean a setback in learning. With structured teaching approaches, regular reading at level, community programs that make books accessible and fun, and school-based initiatives like reading challenges, children and adults alike can return to school inspired and ready to thrive. The evidence is clear: consistent engagement with reading is one of the most effective ways to prevent the summer slump and ensure that literacy skills continue to grow.

Suggestions for Teachers and Parents

Encourage children to read daily, even for short periods, with books that match their reading level.
Provide access to a variety of texts, including humorous stories, adventure tales, and culturally relevant works.
Model reading behaviour by sharing your own reading experiences and discussing books together.
Participate in local library programs or community reading initiatives to maintain motivation.
Create family reading routines, such as bedtime stories or shared reading times, to embed literacy into everyday life.
Celebrate reading achievements with small rewards or recognition to sustain enthusiasm.

References:

Brisbane City Council. (n.d.). Summer reading program. Retrieved December 9, 2025, from https://services.brisbane.qld.gov.au/online-services/libraries-venues-and-facilities/summer-reading-program

National Library of New Zealand. (n.d.). Summer slide and summer reading research. Retrieved December 9, 2025, from https://natlib.govt.nz/schools/reading-engagement/summer-reading/summer-slide-and-summer-reading-research

Reading Eggs. (n.d.). Benefits of summer reading programs. Retrieved December 9, 2025, from https://readingeggs.com.au/articles/benefits-summer-reading-programs

Vosslamber, A., Walker, J., Millar-Swan, A., Motha, J., & Gillon, G. (2025). The impact of Better Start Literacy Approach teaching on the retention of children’s early literacy skills over the summer holidays. New Zealand Journal of Educational Studies, 60(3), 435–449. https://doi.org/10.1007/s40841-025-00405-2

Sundays, Libraries, and the Quiet Crisis in Reading

On Sundays, our family has a rhythm. We go to church in the morning, then its off to our local library. The kids scatter to their favourite corners, borrowing books and settling in to read whatever strikes their fancy. The only rule is, that for every book that is a re-read, there must be one you have not read before.

Whilst my children scurry to their favourite genres, I grab a coffee and wander the shelves, letting my eyes land on whatever catches my eye. My husband always chuckles at this part. “You work in a library,” he says, amused. He’s right, of course. I do. But I work in a boys’ school library, and let’s just say the collection doesn’t quite float my boat. We then settle down for 30-45min of quiet reading together, but all on individual journeys.

Cook, S. (2025, November 5). *It will take more than the new Children’s Booker Prize to arrest the dramatic decline in reading enjoyment*. The Conversation. https://theconversation.com/it-will-take-more-than-the-new-childrens-booker-prize-to-arrest-the-dramatic-decline-in-reading-enjoyment-268777

There’s something different about being in a space where reading is chosen, not assigned. Where stories are picked for pleasure, not performance. That contrast has been sitting with me lately, especially after reading Loh et al.’s 2025 report on the decline in volitional reading and a recent piece in The Conversation about the new Children’s Booker Prize. Both paint a sobering picture: young people are reading less, and they’re enjoying it even less than that.

Loh, C. E. et al. (2025) The Decline in Volitional
Reading: Evidence-Informed Ways Forward.
National Institute of Education, Nanyang
Technological University, Singapore.

Loh’s recommendations to improve literacy success.

agency
access to literature
time in daily routines
reflection and connection
social interaction
developing a positive reading identity

What struck me most in Loh’s report was what wasn’t there. None of the key principles mention curriculum reform. None suggest that testing is the answer. Instead, the focus is on joy, choice, and connection. Reading for pleasure is framed not as a luxury, but as a necessity. It’s a stronger predictor of reading attainment than socioeconomic status. That’s huge. It means that if we want to close literacy gaps, we need to open up space for enjoyment.

In my school library, I see the tension. Boys who associate reading with assignments, comprehension questions, and accelerated reader points. Not with curiosity or escape. Not with laughter or awe. And I wonder: what would happen if we let go of the scaffolds and trusted them to choose? The Conversation article makes a similar point. Awards like the Children’s Booker are lovely, but they won’t shift the culture on their own. What we need is a reimagining of reading in schools. Less about outcomes, more about experience. Less about control, more about trust.

Furthermore, parents need to remember that they are their children’s first educators. Is reading and literacy your household value? One of the key findings in Loh’s research is that children need access to literature and to see it modelled by the adults around them. Do parents take their kids to the library? Do they read in front of their children? Or do they presume that schools will take care of it? Do they even ask their children how often they visit the school library? These questions matter. Because when reading is visible and valued at home, it becomes part of a child’s identity, not just a school subject.

So here’s my quiet Sunday reflection: maybe the best thing we can do as educators is to make room and provide time. Room for stories that speak to our students. Room for browsing, for borrowing, for reading without a worksheet attached. Room for libraries that float their boats and time to lie back and float away.

Because when reading becomes a choice again, it becomes a joy again. And that’s where the magic lives.

Fiction is a safe place to break the rules

I recently attended the QSLA conference at the beautiful State Library of Queensland. It was a fantastic day for school informational professionals to gather, share emerging news, identify new trends and trade in good old fashioned work chit chat.

Andy Griffiths – author of the famous Treehouse series, was our keynote speaker. I have known of Andy’s work for almost a decade. Whilst I have admired his works, I hadn’t fully appreciated his philosophy until now. His words, much like his books, were playful on the surface but deeply subversive underneath. They invited us to reconsider not just how children read, but why they need stories that break the rules.

Griffiths and his co-creator, illustrator Terry Denton have created the inventive, imaginative chaos that is the Treehouse series. I found it amusing that they named the main characters after themselves. Their fictional versions live in an ever expanding treehouse that defies logic and gravity, expanding with each book to include ludicrous additions like a marshmallow machine, a tank of man-eating sharks, and even a volcano. Their adventures are reckless, absurd, and often dangerous. But that danger is never real. It’s theatrical. It’s safe. It’s fiction.

… and that is the point. It is fiction as Andy pointed out last week to a large group of educators and informational professionals.

Fiction is a safe place to break the rules.

I was mesmerised by this quote. That quote stayed with me. It echoed through the conference halls and followed me home. In an article published by the ABC in 2018, Griffiths argued that fiction as a “last frontier”, a place where children can explore worst-case scenarios without consequence. He said: “Books are the last frontier of freedom and wilderness for kids, for imagining dangerous things, for imagining craziness and worst-case scenarios” (Blau, 2018).

This was so true. In a world increasingly obsessed with safety, structure, and supervision, Griffiths’ books offer a counterbalance. They don’t just entertain their readers… they liberate them! They allow children to imagine running across six lanes of traffic or jumping into a volcano, not because they should, but because they can. In fiction, the consequences are exaggerated, the outcomes are ridiculous, and the lessons are embedded in laughter. Griffiths uses humour to engage the reader and builds into that playful sense that children have. As Griffiths said last week, “Reading is a game between the reader and the author. Authors make black marks on pages. Readers use these marks to make an image in their heads.”

I then thought about all the other books that ‘helped me break rules’. Darryl and Sally hosting midnight feasts at Mallory Towers, Matilda using her brain to solve problems, Trixie Belden and Nancy Drew resolving mysterious events. Each of these characters and books gave me option I may not have thought of previously.

Leaving the conference, I felt a renewed appreciation for the role of literature in childhood. Not just as a tool for literacy, but as a sanctuary for wild thought. Griffiths reminded us that imagination isn’t just fun. It’s vital. It’s how children rehearse life, test boundaries, and build resilience.

And maybe, just maybe, it’s how they learn to be free.

What books set you free?

Banned Books Week: Censorship, Selection, and the Role of the Teacher Librarian.

Each year, Banned Books Week invites us to reflect on the importance of intellectual freedom and the dangers of censorship. Around the world, books are challenged or removed from shelves due to content deemed offensive or ideologically inappropriate by local authorities. These decisions often reflect broader societal tensions around race, gender, sexuality, and political beliefs.

In Australia, the free flow of information is protected by legislation such as the Freedom of Information Act, and championed by organisations like the Australian Library and Information Association (ALIA). ALIA upholds core values of open access to knowledge and ideas, ensuring that libraries remain spaces where diverse perspectives can be explored without fear or restriction. Public libraries, in particular, play a vital role in this mission by offering equitable access to information and digital resources for all citizens. Platforms like Trove, hosted by the National Library of Australia, further support this by providing access to a vast and growing collection of digitised newspapers, books, images, and more.

However, the conversation around banned books takes on a different tone in school libraries. Here, the issue is not so much about banning books, but about what to include. School libraries operate within a framework of collection development and management policies, which guide decisions about which resources best support the needs of the school community. The point of a school library is to support student success by providing access to resources that meets the curriculum whilst also fostering skills in reading, research and informational literacy. Therefore, any policies regarding the breadth and depth of a collection will factor in curriculum relevance, age appropriateness, and the diversity of student experiences.

So when I look at the list of most commonly banned books worldwide… I realise we have most of them on the shelves.

Most Commonly Banned Books Worldwide (All-Time)

The Catcher in the Rye – J.D. Salinger
Banned for profanity, sexual content, and themes of rebellion.
- We have this title as it is considered a classic as is in our senior collection aimed for sophisticated readers in Grade 10 and above.
To Kill a Mockingbird – Harper Lee
Challenged for racial themes and language
- We have this title as it is considered a classic. It currently sits in our Classics collection and is available for students to borrow. It is also a class text and is frequently used as part of novel studies.
1984 – George Orwell
Banned for political themes and criticism of totalitarianism
- We have this title as it is considered a classic. It currently sits in our Classics collection and is available for students to borrow. It is also a class text and is frequently used as part of novel studies.
Harry Potter series – J.K. Rowling
Challenged for promoting witchcraft and occultism
- We have numerous copies of this!
The Satanic Verses – Salman Rushdie
Banned in several countries for blasphemy
- We don’t have this text as it does address the curriculum.
The Handmaid’s Tale – Margaret Atwood
Banned for sexual content and perceived anti-religious themes
- We have this title as it is considered a classic. We do have this novel in our senior collection aimed for sophisticated readers in Grade 10 and above. It is also a class text and has been used as part of novel studies.
Beloved – Toni Morrison
Challenged for graphic depictions of slavery and violence.
- We don’t have this text as part of our collection. We do have 12 years a slave, The Colour Purple and Uncle Tom’s Cabin.
Lolita – Vladimir Nabokov
Banned for being “obscene” in several countries
- We do not have this novel because it does not meet any curriculum requirements.
Fifty Shades of Grey – E.L. James
Banned for erotic content and BDSM themes
- We do not have this novel because it does not meet any curriculum requirements.
The Grapes of Wrath – John Steinbeck
Banned for political reasons and profanity.
- We do have this novel in our senior collection aimed for sophisticated readers in Grade 10 and above.

I will point out that one of the challenges of being in a school with students from Grade 5-12 is that what may be appropriate for a senior student to read may not me developmentally appropriate for a younger boy. To manage this, we have further classified the fiction texts into general (all years), middle fiction (Grades 7-9) and senior fiction (Grades 10-12). Students are able to freely access resources within their ‘age range’. However, they require parental permission to access more sophisticated readers. This ‘limiting’ of access is our way of supporting the free movement of information whilst acknowledging that some novel themes could cause distress to an immature brain.

This distinction of inclusion versus exclusion of texts is crucial. While public libraries are bound by principles of universal access, school libraries must balance educational goals with community values. This is where the role of a teacher librarian is imperative because school libraries need staff that are fully trained and qualified. They need someone who is an informational professional and an educator to be able to craft a collection development policy that helps ensure that resource selection is transparent, consistent, and inclusive, rather than reactive or restrictive. It is this combined capacity that empowers teacher librarians to advocate for collections that reflect the richness of student identities and the complexity of the world they inhabit. Unfortunately, here in Queensland, many schools lack a qualified informational professional in their school library, that is if they have a library at all! This an absolute travesty for the children and their wider communities.

Ultimately, Banned Books Week reminds us all why intellectual freedom matters. This week serves as a poignant reminder of the fragile nature of intellectual freedom as it honours the fundamental right to read, to explore ideas from all perspectives, and to seek truth without interference. Each year, the spotlight falls on books that have been challenged or removed because they represent discomfort or dissent for a select few individuals. However, in doing so, we need to think about the deeper cost of censorship: the narrowing of thought, the silencing of voices, and the erosion of a society built on open inquiry and democratic exchange. Whether in public or school libraries, our responsibility is to foster environments where curiosity is encouraged, critical thinking is nurtured, and all voices have the opportunity to be heard.

Growing Up on the Page: Teaching Coming-of-Age Novels in Australian Classrooms

Coming-of-age novels have long held a central place in literature, offering rich terrain for both personal reflection and academic exploration. For educators working with adolescents, these texts are more than just stories—they are mirrors and windows into the complex journey of growing up. This post explores why coming-of-age literature resonates so deeply with teenagers, why it matters in the curriculum, and how educators can harness its potential to foster empathy, identity formation, and critical thinking.

Bildungsroman

Adolescence is a period marked by emotional intensity, identity exploration, and social upheaval. Coming-of-age novels, also known as bildungsroman, capture this liminal space with authenticity and nuance. Teen readers often see themselves reflected in protagonists who grapple with similar dilemmas: family conflict, peer pressure, romantic entanglements, and the search for purpose. These narratives validate the adolescent experience, offering reassurance that their struggles are not isolated but part of a universal human journey.

Moreover, the first-person perspective common in young adult fiction allows readers to inhabit the protagonist’s inner world. This immersive quality fosters emotional resonance and encourages teens to reflect on their own values, choices, and aspirations. As Biscontini (2024) noted, coming-of-age literature “provides young people with a relatable experience while offering adults a sense of nostalgia,” and often centres on the loss of innocence, self-discovery, and the struggle to adapt to societal expectations.

Why They Matter in the Curriculum

From a pedagogical standpoint, coming-of-age novels are invaluable tools for teaching literary analysis, thematic exploration, and cultural literacy. These texts often engage with issues such as race, gender, class, and mental health: topics that are both timely and timeless. By studying these works, students develop empathy and gain insight into diverse lived experiences.

Importantly, coming-of-age literature also supports identity development. For students from marginalised backgrounds, seeing characters who reflect their realities can be empowering. For others, these stories offer a chance to understand perspectives different from their own. As such, these novels contribute to a more inclusive and socially aware classroom environment (Federation of Egalitarian Communities, 2024).

Why Choosing the Right Text Matters—Especially for Boys.

“Puberty is merciless. Regardless of who you are,” Becky Albertalli in Simon vs. the Homo Sapiens Agenda

This sentiment that captures the emotional turbulence of adolescence with striking clarity. For boys, this period can be particularly complex, often shaped by conflicting expectations around masculinity, emotional restraint, and identity formation.

Choosing the right coming-of-age texts for boys is not merely about fostering a love of reading. It is about offering them tools for emotional literacy, ethical reasoning, and self-reflection. These stories help boys navigate moral ambiguity, understand the consequences of choices, and appreciate the nuances of human relationships. Crucially, they provide a safe space to explore vulnerability, fear, and belonging, which often occur before boys feel equipped to express these experiences in their own words.

Selecting texts that feature emotionally authentic male protagonists, whether they be sensitive, conflicted, resilient, or flawed; can disrupt narrow stereotypes and expand boys’ understanding of what it means to grow up. When boys see themselves reflected in literature, or encounter perspectives that challenge their assumptions, they are more likely to engage deeply and critically.

Incorporating well-chosen coming-of-age novels into the curriculum also supports literacy outcomes. The relatability of the content increases motivation, while the layered narratives encourage boys to interpret symbolism, character development, and thematic complexity. With the right texts, educators can foster not only stronger readers, but more thoughtful, empathetic young men.

How Students Socially Learn from Narrative Fiction

Recent research by Gasser, Dammert, and Murphy (2022) offers a compelling framework for understanding how children socially learn from narrative fiction. Their integrative review identifies three distinct mechanisms:

Getting the Lesson – where children extract and internalise explicit moral messages from the text.
Simulating Social Worlds – where readers imaginatively engage with fictional characters, enhancing empathy and perspective-taking.
Dialogic Inquiry – where students develop social reasoning through peer dialogue about complex sociomoral issues raised in fiction.

This framework is particularly relevant for educators designing literature programmes that go beyond comprehension and into the realm of ethical inquiry and emotional intelligence. It supports the use of coming-of-age novels as tools for cultivating sociomoral competencies in the classroom.

Key Texts – Australian Coming of Age stories for Boys

Australian literature offers a rich and diverse array of coming-of-age narratives that speak directly to local contexts, landscapes, and cultural tensions. There are wide range of novels that can be utilised effectively in the classroom, however, these texts are particularly valuable for fostering national literary literacy and connecting students with stories that reflect their own communities.

Jasper Jones by Craig Silvey
Boy Swallows Universe by Trent Dalton
I am not really here by Gary Lonesborough
Rowan of Rin by Emily Rodda
Breath by Tim Winton
The first third by Will Kostakis
Scartown by Tristan Bancks
The Sidekicks by Will Kostakis
Ready when you are by Gary Lonesborough

Key Texts: Classic Coming-of-Age Novels

These canonical works have shaped the genre and continue to offer profound insights into the human condition. They are ideal for comparative studies and historical context.

David Copperfield by Charles Dickens
The Picture of Dorian Gray by Oscar Wilde
The Catcher in the Rye by J.D. Salinger
The Adventures of Huckleberry Finn by Mark Twain
To Kill a Mockingbird by Harper Lee
The Outsiders by S. E. Hinton.

Key Texts: Modern Coming-of-Age Novels

Contemporary novels reflect the evolving challenges faced by today’s youth, including cultural identity, mental health, activism, and global conflict. These texts are especially relevant for engaging students in current social discourse.

The Hate U Give by Angie Thomas
Persepolis by Marjane Satrapi
Darius the Great Is Not Okay by Adib Khorram

Reference List (APA 7)

Biscontini, T. (2024). Coming of age in literature. https://www.ebsco.com/research-starters/literature-and-writing/coming-age-literature

Federation of Egalitarian Communities. (2024). What do coming-of-age novels teach us? https://www.thefec.org/news/what-do-coming-of-age-novels-teach-us/835/

Gasser, L., Dammert, Y., & Murphy, P. K. (2022). How do children socially learn from narrative fiction: Getting the lesson, simulating social worlds, or dialogic inquiry? Educational Psychology Review, 34(3), 1445–1475. https://doi.org/10.1007/s10648-022-09667-4

Sun, X. (2024). Teaching young adult literature in secondary L2 classrooms: A case study of The Outsiders reading programme. The Language Learning Journal, 52(3), 233–254. https://doi.org/10.1080/09571736.2022.2107694

The Greatest Books. (2025). The greatest coming-of-age books from 2020 to 2025. https://thegreatestbooks.org/the-greatest/coming-of-age/books/from/2020/to/2025

Book Review – Wednesday

If Wednesday Addams were to write her own memoir, it’d probably look a lot like Wednesday: A Novelisation of Season One. This isn’t just a book—it’s a moody, macabre mirror held up to the Netflix series, with all the gothic charm and deadpan sass you’d expect. Written by Tehlor Kay Mejia, the novel dives headfirst into Wednesday’s psyche, offering a peek behind the curtain of her stoic facade. Think of it as the show’s inner monologue, scribbled in black ink and sealed with disdain.

Published in 2024, the plot follows Wednesday’s arrival at Nevermore Academy, a school for supernatural misfits where murder mysteries are part of the curriculum and socialising is a punishable offence. While the series gave us brooding cello solos and a wardrobe that screams “funeral chic,” the book lets us crawl inside Wednesday’s mind—where sarcasm is a survival skill and feelings are best left buried. Mejia nails the tone, balancing Wednesday’s razor-sharp wit with moments of reluctant vulnerability that feel oddly touching (but SHUSHH don’t tell her that).

One of the novel’s most delicious contrasts—and let’s be honest, Wednesday thrives on contrast—is the infamous dorm room split between her and Enid Sinclair. On one side: a monochrome mausoleum of black, grey, and gloom, where even the shadows look depressed. On the other: a rainbow explosion that looks like a unicorn sneezed on a Lisa Frank catalogue. It’s less “cohabiting” and more “cold war with glitter.” The book leans into this absurdity with Wednesday’s internal commentary, which is equal parts horror and reluctant fascination. Sharing a room with Enid is like bunking with a disco ball that talks. Their room becomes a battleground of personality—and somehow, a crucible for growth. It’s eerily reminiscent of Elphaba and Galinda’s dorm at Shiz University in Wicked: one half brooding misfit, the other half pastel chaos, and somehow, against all odds (and taste), it works.

Now, let’s be honest: like most movie tie-ins, this novelisation is fairly true to the source material but ultimately feels like a watered-down echo of the show. It’s a weak parody in places—more shadow than substance. An OK read, sure, but clearly aimed at teens and readers who don’t mind their books light on literary weight. Basically, it’s all frosting and no cake: sweet, stylish, and fun to look at, but don’t expect it to nourish your soul or challenge your brain.

In short, if you loved the series but wished Wednesday would open up just a smidge (begrudgingly, of course), this book is your poison. It’s witty, weird, and wonderfully introspective—like a love letter written in invisible ink and sealed with a spider. Just don’t expect hugs. She’s still Wednesday, after all.