Category: Uncategorized

Engaging Families Through the School Library – Parent/Child Book clubs.

School libraries occupy a unique position within the educational ecosystem. They sit at the intersection of learning, literacy and community, and are one of the few spaces within a school capable of meaningfully engaging students, teachers and families alike. A recent Primary Parent–Son Book Club, held in the library and deliberately designed as a shared reading experience, provided a valuable opportunity to reflect on the role school libraries can play in fostering sustained family engagement in learning.

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Research strongly supports the importance of parental involvement in children’s literacy development. While early childhood reading practices are often emphasised, evidence suggests that shared reading continues to have a significant impact well into the primary and secondary years. An article published in The Conversation synthesises international research demonstrating that when parents continue to read with their children after they have become independent readers, students show stronger reading comprehension, higher levels of engagement and more positive attitudes towards reading. The social dimension of shared reading, including discussion, questioning and the modelling of reading behaviours, is consistently identified as a critical factor in these outcomes.

More recent research further reinforces this connection between family engagement and reading success. Hu, Zhuo and Guo’s 2025 study published in Children and Youth Services Review examined the relationship between parental involvement and adolescents’ reading performance. Their findings indicate that parental engagement remains a significant predictor of reading achievement, even as reading increasingly occurs in digital and multimodal contexts. Importantly, the study highlights that meaningful involvement extends beyond direct instruction to include shared experiences, conversations about texts and visible valuing of reading within the home environment.

Parent–child book clubs hosted through the school library offer a practical and research aligned way to translate these findings into everyday practice. In this case, families met informally in the library, shared pizza and engaged in guided discussion around common texts. The term’s focus was historical fiction centred on World War II, with text choices designed to support Year 5 and 6 reading levels while also inviting deeper discussion around themes of loyalty, resilience and survival. Three text options were offered to families to allow for choice and differentiation, while maintaining a shared conceptual focus across the group.

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Morris Gleitzman’s Once was selected as one core text due to its accessibility, emotional resonance and status as the first novel in a well established and popular series for young readers. Titles by Katrina Nannestad were also chosen, particularly for her sophisticated yet accessible use of language, syntax and narrative imagery, which strongly support comprehension, vocabulary development and cognitive engagement. A third option offered greater flexibility, with some families selecting narrative non fiction biographies and others choosing popular fiction titles connected to the historical context. Wherever possible, Australian authors were prioritised, reflecting a deliberate commitment to celebrating Australian voices and ensuring students encounter texts that reflect national perspectives and storytelling traditions.

From a library perspective, initiatives such as parent–child book clubs serve multiple strategic purposes. They position the library as a welcoming and inclusive space, reinforce families as active partners in learning and create authentic opportunities for shared literacy practices that extend beyond the classroom. They also provide a tangible means of embedding research informed practice into school wide literacy approaches, demonstrating how libraries can move from advocacy to action.

Engaging families through the school library strengthens relationships, builds a shared language around reading and reinforces the understanding that literacy development is a collective responsibility. As school libraries continue to advocate for their central role in whole school literacy, family focused initiatives such as book clubs offer clear, evidence based examples of how libraries can connect learning, community and research in meaningful and sustainable ways.

Reflective and Reflexive Practice in Teacher Librarianship: Leadership, Ethics and Organisational Learning

Reflective practice is a transformative process that uses structured strategies to examine the ethics, values, and beliefs that shape professional behaviour and decision‑making. Learning organisations such as schools promote reflective and reflexive practices because they enhance ethical judgement, strengthen professional identity, and support improved learning outcomes. In educational contexts, reflective practice enables professionals to make decisions that are ethically and morally responsive, thus strengthening learning cultures and supporting the continual improvement of pedagogical practices. This is particularly significant for teacher librarians, whose roles span instruction, information leadership, and curriculum‑wide collaboration. For teacher librarians, reflective practice is central to exercising instructional and informational leadership, whether formally or informally by enhancing their capacity to analyse decisions, adapt programs, and support evidence‑informed improvement across the school.

Reflective practice, encompassing both reflection and reflexivity, enables individuals to critically evaluate personal and professional experience in order to challenge assumptions, biases and ideological influences. These practices play a significant role in improving outcomes by supporting knowledge creation, organisational learning and ethical responsiveness (Robson, 2022; Bolton & Delderfield, 2018). The strength of reflective practice lies in its capacity to prompt individuals and organisations to examine behaviours, values, decisions and actions, thereby uncovering the deeper influences that shape professional practice (Robson, 2022). For teacher librarians, whose work operates at the intersection of pedagogy, information science and leadership, reflective practice is essential to lifelong learning and professional renewal (Vaandering & Crego‑Emley, 2025). Continuous reflection enables teacher librarians to evaluate their practice both as information professionals and as teachers of literacy and learning to ensure positive and equitable student outcomes.

Robson (2022) defines reflection as a set of deliberate intellectual strategies that seek to improve knowledge by identifying the beliefs and values that underpin behaviour and action. This process can be challenging because it requires individuals and organisations to engage openly, honestly and vulnerably in order to examine identity and the reasoning behind particular practices (Bolton & Delderfield, 2018). Within educational settings, reflection is indispensable for ethical practice, personal growth and the promotion of equity and diversity within learning communities. From a relational ethics perspective, reflective practice supports educators to consider how their decisions and actions affect others, particularly in contexts shaped by power, inclusion and responsibility (Bolton & Delderfield, 2018).

Two key forms of reflection are commonly identified: reflection‑in‑action and reflection‑on‑action. Reflection‑in‑action occurs during practice, requiring professionals to draw on existing knowledge, skills and values to make real‑time judgements. Bolton and Delderfield (2018) note that this form of reflection often arises when individuals recognise themselves relying on habitual routines that may or may not align with their espoused values. Reflection‑on‑action, by contrast, occurs after an event has concluded and allows practitioners to analyse actions retrospectively, evaluate outcomes and adjust future practice. This form of reflection is often considered more powerful, as it supports deliberate learning and professional growth through evidence‑informed change.

While reflection focuses on examining experience, reflexivity extends this process by interrogating position, power and purpose. Reflexivity evaluates whether behaviours align with personal and professional goals while situating practice within broader social, cultural and political contexts (Bolton & Delderfield, 2018; Willig, 2019; Vu & Burton, 2020). Scholars argue that reflexive practice challenges individuals to question their own assumptions, identity and relationships to systems, ideologies and structures of influence (Robson, 2022; Vu & Burton, 2020). Through a relational ethics lens, reflexivity draws attention to how professional actions shape—and are shaped by—relationships with students, colleagues and communities. This process heightens ethical awareness by encouraging practitioners to interrogate attitudes, prejudices and taken‑for‑granted beliefs using theoretical frameworks and professional knowledge.

Reflexivity requires the capacity to recognise and, at times, decentre one’s own perspective in order to consider alternative viewpoints and experiences (Robson, 2022). While this decentring supports moral decision‑making and meaningful change, it can also be emotionally confronting, as it demands deep introspection and often benefits from external support such as dialogue with mentors or trusted colleagues. Despite these challenges, reflexivity contributes to transformative professional development by enabling individuals to realign beliefs, values and actions with their professional purpose. As a result, reflective and reflexive practices support not only individual growth but also organisational improvement, as schools benefit from enhanced professional judgement, transparent decision‑making and shared learning (Robson, 2022).

The Australian Professional Standards for Teachers emphasise reflective practice across multiple domains, even when reflection is not explicitly named. Teachers are required to plan coherent and well‑structured lessons, select effective teaching strategies and sequence content logically, all of which necessitate reflective judgement (AITSL, 2018). Educators must consider what worked, what did not, and how practice can be refined to better meet learner needs. Regular engagement with reflective practice supports the development of critical pedagogy, as educators connect instructional decisions to outcomes and recognise gaps in knowledge or limitations in practice (Vaandering & Crego‑Emley, 2025; Bolton & Delderfield, 2018). Importantly, reflection must be distinguished from rumination. Purposeful reflection is evidence‑informed, action‑oriented and ethically grounded, whereas rumination is unproductive and rarely leads to professional growth or improvement.

Reflective practice is also central to effective educational leadership. Leaders who model reflective behaviours foster organisational learning by encouraging the sharing and refinement of both tacit and explicit knowledge (Robson, 2022). Through reflective policies and cultures of inquiry, leaders create collaborative environments in which practice is continually examined and improved. For teacher librarians, who frequently occupy informal or middle‑leadership positions, reflective leadership enables them to evaluate systems, support colleagues and advocate for responsive, inclusive learning practices. Reflection in this context functions not merely as a personal skill but as an organisational asset that drives sustainable improvement.

Reflective and reflexive practice is particularly vital for teacher librarians, whose responsibilities encompass pedagogy, information literacy, curriculum support and leadership across the school (Vaandering & Crego‑Emley, 2025). These intersecting roles require continual adaptation to evolving student and staff needs. Reflective and reflexive thinking strengthens decision‑making and enhances the capacity of teacher librarians to lead and model best practice. Reflexivity, in particular, challenges teacher librarians to test actions against professional values, knowledge and experience, transforming individual insight into integrated, ethical practice. Moral reflexivity is especially important given that school libraries often serve diverse, vulnerable and marginalised communities and operate as critical third spaces for learning and belonging (Vu & Burton, 2020). As many teacher librarians work in isolation as sole information professionals, professional networks and collegial relationships play a crucial role in providing external perspectives that support reflection and shared problem‑solving.

Despite their value, reflective and reflexive practices present challenges for educators. Time constraints, heavy workloads and competing priorities can limit opportunities for deep reflection. Reflective work may also require emotional labour, particularly when honest self‑evaluation reveals biases or areas of discomfort. Over‑reflection can lead to rumination rather than action, while a lack of psychological safety may result in superficial or performative reflection. Additionally, educators differ in their familiarity with reflective frameworks, and without appropriate guidance or structure, reflective practice may lack depth. Recognising these challenges highlights the importance of professional supports such as mentoring, coaching and collaborative communities of practice that enable meaningful and sustainable reflective engagement.

Engaging deeply in reflective and reflexive practice is fundamental to ethical, responsive and effective professional practice within learning organisations. Reflection enables educators and leaders to examine experience, improve pedagogy and make reasoned, evidence‑informed decisions, while reflexivity extends this process by interrogating identity, values and assumptions within broader relational, social and moral contexts. Together, these practices move professionals beyond technical improvement towards transformative understanding.

For teacher librarians in particular, reflective and reflexive practice underpins their work as instructional and informational leaders. Their capacity to lead literacy, inquiry and knowledge‑rich learning across the curriculum depends on continual evaluation of practice, ethical judgement and alignment between professional values and action. Through reflective leadership, teacher librarians model critical inquiry, support inclusive learning environments and contribute to organisational learning by translating individual insight into shared professional knowledge. Ultimately, reflective and reflexive leadership strengthens both individual capability and collective capacity. In schools committed to continuous improvement, reflective practice is not optional; it is a professional and moral imperative that ensures decisions remain ethically grounded, relationally responsive and centred on learner growth.

references

Australian Institute for Teaching and School Leadership. (2018). Australian professional standards for teachers. AITSL. https://www.aitsl.edu.au/standards

Bolton, G., & Delderfield, R. (2018). Reflective practice: Writing and professional development. ACU Library

Robson, J. (2022). Teacher professional learning and development: Practices of reflection. ACU Library

Vaandering, A. G., & Crego‑Emley, A. (2025). The library instructor as learner: A survey of reflective teaching practices in U.S. academic libraries. Communications in Information Literacy, 19(2), 220–241. https://www.proquest.com/scholarly-journals/library-instructor-as-learner-survey-reflective/docview/3295971614/se-2

Vu, T., & Burton, L. (2020). Moral reflexivity and responsible management. ACU Library

Willig, C. (2019). Interpretive phenomenology and reflexive practice. ACU Library

Language, learning and the power of library.

Language and learning are inextricably linked because the latter is hard to achieve without knowledge of the former. Language consists of words used in a structural and conventional way which is the principal method or system of communication communities use to engage with each other and the world (Britannica, 2026; Winch et al., 2020, p. 12).  Language can be spoken, written or gestural and its effective use is a fundamental principle underlying a person’s ability to actively engage with their society. Therefore, by this definition and in conjunction with the cognitive model of reading, learning, and literacy by extension, can only occur if a person is competent in using language in its different fields, tenors and modes (Winch et al., 2020, p. 13).  The role of the teacher librarian and the library in literacy development is to support language, literacy and learning across the curriculum through the broadening and deepening of student vocabulary by improving semantic understanding of key vocabulary and building background knowledge with quality resources. 

Winch et al., (2020) point out that language is an identifiable way for cultures to share meaning with each other and to achieve a common purpose and as such is influenced by context.  One subset of language influenced in this way is vocabulary because it is the knowledge of words that exist in a particular language or subject and or the total volume of words known by a particular person (Cambridge, 2026).  Therefore it can be inferred that a person’s breadth and depth of vocabulary knowledge is based upon their experience and exposure to a variety of texts (Winch et al., 2020; Lewis & Strong, 2021, p5).  A person that reads or is exposed to a wide range of vocabulary through various genres will be highly receptive to new terminology.  However, that does not translate into an expressive capacity unless they are able to practice it sufficiently. 

Miss DeCarbo. (2021). The 3 tiers of vocabulary for classroom instruction. https://www.missdecarbo.com/three-tiers-of-vocabulary-instruction/

 Vocabulary can also be perceived to be a bridge between the written and spoken modalities because readers need to be efficacious in their ability to predict and build mental images from the text (Winch et al., 2020, p. 20).  This perception is consistent with the constructivist approach to reading because text comprehension is the result of a reader’s ability to combine what is known, with what is presented in the text in order to arrive at new knowledge and understanding (Graves et al., 2019; Winch et al., 2020, p.91; Spence & Mitra, 2023).  Competent readers have the additional advantage when it comes to informational texts because they are able to determine the genre and purpose of a text by making predictions based on their knowledge of text structure and the language or vocabulary within the text.

McKenna & Stahl, 2009 – Cognitive Model of Reading.

The cognitive model of reading is centred on a reader’s ability to comprehend language because vocabulary acts like a conduit between the working and long term memory impacting ability to effectively comprehend a text (Graves et al., 2019; McKenna & Stahl, 2009; Winch et al., 2020, p82; Spence & Mitra, 2023).   A person with a high vocabulary is more likely to have increased success in reading comprehension because their capacity to understand and connect to the text is greater than someone with a limited vocabulary (Winch et al., 2020, p21). This in turn fuels their ability and capacity to read more, further increasing their capacity.  This efficacy, as Lewis & Strong (2021) point out, confirms the commonly known Matthews effect as students learn 15% of new words in contextual reading and that they need greater than twelve encounters with a particular term or phrase to even think of including it into their knowledge schemas.   However, even confident readers may be confronted when exposed to factual or informative texts because of the leap in cognition required as each discipline will have their own structure, grammar and specialised vocabulary (Spence & Mitra, 2023).  This means both experienced and inexperienced readers will require explicit instruction in semantic knowledge to effectively decode and encode text of increasing complexity (Winch et al., 2020, p.110; Lewis & Strong, 2021, p.7).  

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Year 9 Science – Semantic mapping

Reading comprehension skills can be supported across the curriculum by increasing a student’s semantic knowledge and background understanding of a topic prior to close reading (Lewis & Strong, 2021). Several pedagogical practices including semantic mapping of tier three vocabulary, the use of text sets to bolster background knowledge as well as explicit modelling of reading strategies can be used effectively to improve reading comprehension and build student capacity (Lewis & Strong, 2021; Spence & Mitra, 2023)  However, caution must be used when deciding what text to use in teaching and learning because the use of text can be a limiting factor if infantile resources are used as it limits student capability and capacity  (Winch et al., 2020, p114, Lewis & Strong, 2021, pg. 10).  Spence & Mitra (2023) point out that it is preferable to scaffold students to complex texts than to provide resources that are age and stage inappropriate.   

Text sets are an effective pedagogical strategy to improve vocabulary in a classroom because they encourage students to interact with a wide range of quality, genre specific texts throughout a unit of work.  These text sets were specifically curated to improve vocabulary and by extension, reading comprehension. Students were able to engage with short extracts of text that have been appropriately levelled prior to the unit commencing and then were able to re-engage with this text intermittently through the term.  This ‘dipping’ in and out of the content allowed students to activate their prior knowledge as well as exposed them to tier two and three terminologies at smaller and more regular intervals.  This intermittent exposure is ideal for spaced retrieval practice as teachers are able to regularly gauge the level of background knowledge and understanding the students already have on the topic and as well check for understanding.   Furthermore, these vocabulary text sets can be effectively used as text exemplars because they can be formatted to meet the disciplinary genre requirements.  

The teacher librarian and library play pivotal roles in supporting language, literacy and learning across the curriculum. Firstly, teacher librarians are well placed to source texts that build semantic and background knowledge. They are able to create and curate text sets, lib-guides, reading lists and book boxes that meet the language and literacy needs of the students.  Text sets can be very effectively used to build background knowledge and can be used across classrooms, cohorts and units of work. They can be paper or digitally based; extracts of texts or whole articles; picture books, novels or biographies.  They can also be used to explicitly teach vocabulary in discipline specific genres.  Teacher librarians can also use their central role in the school to replicate reading strategies across the curriculum, sharing similarly structured resources through various faculties or disciples for a more concerted and systemic approach to literacy and learning.  Lastly, teacher librarians are the curators of their collection, and their role is essential to ensure that high quality literature and resources continue to be available to staff and students.

References

Cambridge University Press. (n.d.). Vocabulary. In Cambridge Dictionary. Retrieved February 23, 2026, from https://dictionary.cambridge.org/dictionary/english/vocabulary

Encyclopaedia Britannica. (2026, February 6). Language. https://www.britannica.com/topic/language

Graves, M. F., Elmore, J., & Fitzgerald, J. (2019). The vocabulary of core reading programs. The Elementary School Journal, 119(3), 386–416. https://doi.org/10.1086/701653

Hiebert, E. H. (2020). The core vocabulary: The foundation of proficient comprehension. The Reading Teacher, 73(6), 757–768.

Lewis, W. E., & Strong, J. Z. (2021). Literacy instruction with disciplinary texts: Strategies for grades 6–12. Guilford Publications. New York

McKenna, M. C., & Stahl, S. A. (2009). Assessment for reading instruction (2nd ed.). Guildford Press

Mitra, A., & Spence, L. (2023). Educational neuroscience for literacy teachers: Research‑backed methods and practices for effective reading instruction. Routledge. New York.

Winch, G., et al. (2020). Literacy: Reading, writing and children’s literature. Oxford University Press. Docklands, Australia. 

School libraries and the beginning of the academic year

The beginning of each academic year presents both opportunity and challenge. It is a time characterised by optimism, renewed energy, and a shared commitment to supporting student learning and wellbeing. However, it is also a period marked by competing priorities, operational demands, and the rapid transition from planning to implementation.

As is often the case, the intensity of Staff Week and the early weeks of Term 1 meant that dedicated time for strategic reflection was limited. I discovered that in between the mandatory tutorials, staff meetings, faculty meetings and wellbeing sessions, I didn’t quite get the time to organise and articulate my own vision for the 2026 academic year. Rather than viewing this as a setback, it has prompted a more deliberate and considered approach to articulating a clear library vision and set of priorities for 2026 — grounded in the school’s strategic direction and responsive to the evolving needs of the community.

As the school’s sole Teacher Librarian, I am tasked with organisation, development and delivery of the school’s library programs and services. This role requires the library to function not simply as a resource hub, but as a key driver of teaching and learning, student engagement, and inclusive practice.

The foundation for any of the school’s library programs and services is the school’s 2024–2026 Strategic Plan, supported by the school’s mission and vision, and further informed by the Edmund Rice Education Australia (EREA) Touchstones, particularly Liberating Education and Inclusive Community. These frameworks provide both direction and accountability, ensuring that library initiatives meaningfully contribute to whole‑school priorities.

Strategic Priority 1: Curriculum and Teaching & Learning Support

The primary purpose of the school library is to support curriculum delivery and enhance student learning outcomes. In alignment with the school’s strategic priorities, the library’s focus in 2026 will be on strengthening practice within the middle years, where targeted intervention and skill development have the greatest long‑term impact. Key curriculum‑aligned priorities include:

  • Strengthening literacy development through collaborative, resource‑based learning approaches across faculties, in particular science and religious education.
  • Designing and implementing a structured information literacy program that explicitly teaches research skills, critical thinking, and ethical information use.
  • Supporting inclusive curriculum delivery by ensuring access to high‑quality resources in a range of formats and modalities to meet the diverse learning needs of students.

Through purposeful collaboration with teaching staff, the library will act as both a partner in curriculum design and a facilitator of inquiry‑based learning experiences.

Strategic Priority 2: Community, Wellbeing, and Culture

While curriculum support remains central, the library also plays a vital role in fostering student wellbeing, belonging, and engagement. A contemporary school library must function as a flexible, inclusive space that supports both academic and social development. In essence, for research, reading and recreation. In 2026, community‑focused priorities include:

  • Maintaining a welcoming and inclusive library environment for staff and students.
  • Strengthening a whole‑school culture of reading, with an emphasis on reading for pleasure and student choice.
  • Collaborating strategically with the Diverse Learning and Pastoral Teams to support students with complex social, emotional, and learning needs.

By intentionally balancing structure with flexibility, the library will continue to support student wellbeing while reinforcing positive engagement with learning.

Strategic Priority 3: Professional Relationships and Capacity Building

The effectiveness of the library is directly linked to the strength of the relationships that underpin its operation. In 2026, a key professional focus will be the continued development of strong, purposeful connections with:

  • Teaching staff
  • Students
  • The wider school community

These relationships are central to successful collaboration, responsive service delivery, and the library’s role as an embedded component of the school’s learning culture.

Now that I have a framework, I can now focus on building programs that meet these goals.

How do you plan your year’s library programs?

Happy 250th Birthday Jane!

Jane Austen was born on 16 December 1775 in Steventon, Hampshire, into a lively and book loving family. She grew up surrounded by stories, plays and the gentle chaos of a household that valued reading as much as conversation. Her early writing began in childhood and by her early twenties she had drafted the novels that would later become some of the most beloved works in English literature. Although she published anonymously during her lifetime, her six completed novels have secured her place as one of the most influential writers in the world. Austen died in 1817 at the age of forty one, leaving behind a body of work that continues to shape literary culture.

Reflecting on her two hundred and fiftieth birthday invites us to consider the extraordinary reach of her writing. Austen’s novels have had a profound impact on literature, particularly on the development of female authorship. At a time when women were discouraged from publishing and often expected to remain silent in public life, Austen wrote with clarity, wit and a sharp understanding of social structures. Her success opened doors for generations of women who saw in her work a model of intellectual authority and creative independence. As Penguin Books notes, Austen herself was shaped by earlier women writers such as Frances Burney and Charlotte Lennox, which strengthens her place in a long lineage of female creativity.

Austen’s influence is not limited to literary technique. Her novels have offered women across three centuries a way to see themselves reflected in fiction. Readers in the nineteenth century found in her characters a quiet rebellion against restrictive social norms. Women in the twentieth century embraced her work as part of a broader feminist reclamation of female voices in literature. Today, readers around the world continue to find comfort, humour and insight in her stories. Her heroines navigate love, family and society with a blend of vulnerability and strength that feels remarkably contemporary.

Part of Austen’s enduring appeal lies in her ability to capture universal human experiences. Themes of love, pride, misunderstanding and personal growth transcend time and geography. Whether read in Sydney, Seoul or São Paulo, her novels resonate because they speak to the complexities of relationships and the desire for self determination. Modern readers still recognise the awkwardness of a poorly timed remark, the sting of social judgement and the joy of finding connection with someone who truly understands you.

This year, as part of celebrating Austen’s two hundred and fiftieth birthday, I have been sharing my love of her work with my children. My eldest and I set ourselves the gentle challenge of spending the year reading Austen’s novels together, dipping into their many adaptations and enjoying the film versions along the way. It has been a joy to watch them discover the sharp humour of Elizabeth Bennet, the quiet resilience of Anne Elliot and the mischievous charm of Emma Woodhouse. While the BBC’s 1995 Pride and Prejudice remains the gold standard in our household, the vibrant 2006 film Bride and Prejudice has become a close second, its colour and music adding a new dimension to a familiar story.

Among her works, Pride and Prejudice remains the most widely adapted and reimagined. First published in 1813, the novel has inspired countless reinterpretations across literature, film and television. From the beloved 1995 BBC series to the energetic 2006 Bollywood inspired adaptation, from contemporary retellings like Bridget Jones’s Diary to genre bending works such as Pride and Prejudice and Zombies, the story of Elizabeth Bennet and Mr Darcy continues to evolve with each generation.

This week’s celebratory texts.

To celebrate this ongoing creative legacy, here are several modern novels inspired by Austen’s work.

  • Longbourn by Jo Baker
  • Eligible by Curtis Sittenfeld
  • The Austen Project series
  • The Mysterious Death of Miss Jane Austen by Lindsay Ashford
  • The Jane Austen Contest by Samantha Adkins
  • Miss Austen by Gill Hornby
  • Recipe for Persuasion by Sonali Dev
  • Being Mrs Bennet by Alexa Adams
  • The Jane Austen Book Club by Karen Joy Fowler
  • The Jane Austen Project by Kathleen A. Flynn
  • The Lost Memoirs of Jane Austen by Syrie James
  • Jane and the Waterloo Map by Stephanie Barron
  • First Impressions by Charlie Lovett

The sheer number of adaptations speaks to the novel’s flexibility and its emotional power. Each version highlights different aspects of the story, whether it is the tension between individual desire and social expectation or the transformative power of self reflection. For many readers and viewers, these adaptations serve as an entry point into Austen’s world, leading them back to the original text and deepening their appreciation for her craft.

As someone with a librarian’s heart, I cannot help but smile at the thought of trying to catalogue every adaptation of Pride and Prejudice. The varied formats alone would fill shelves upon shelves. There are novels, films, television series, graphic novels, web series, audiobooks, retellings set in different eras and even reinterpretations that place the characters in entirely new genres. The challenge of organising these interconnected works is both daunting and delightful. It is the kind of bibliographic puzzle that makes a catalogue shimmer with possibility.

Austen’s two hundred and fiftieth birthday is more than a milestone. It is a reminder of the lasting power of storytelling and the importance of women’s voices in literature. Her novels continue to inspire readers, writers and scholars. They invite us to reflect on our own lives and relationships. They remind us that wit and empathy can coexist, that social critique can be delivered with elegance and that love stories can be both romantic and intellectually rigorous.

As we celebrate her legacy, we honour not only the writer she was but the generations of women who have found courage, companionship and creative spark in her pages. Austen’s work remains a testament to the idea that stories can shape the world and that a quiet voice can echo across centuries.

References

Fracturing stereotypes in literature: Using fairy tales to transfer cultural knowledge and break assumptions.

Fairy tales have long served as cultural touchstones as they passed down through generations to teach values, warn against danger, and reflect the beliefs of the societies that created them. Though often associated with bedtime reading, fairy tales are far more than simple entertainment. They are rich with symbolism, moral lessons, and cultural nuance. Across the world, these tales take many forms and espouse a range of cultural values and traditions. In West Africa, the Anansi stories feature a clever spider who uses wit and trickery to navigate challenges, often blurring the line between hero and villain. In Russia, Baba Yaga, a fearsome witch who lives in a house with chicken legs is a treated as both a threat and a source of wisdom. Japanese tales like Momotaro (Peach Boy) celebrate loyalty and courage, while Indigenous Australian Dreamtime stories embed spiritual and ecological knowledge, linking people to land, ancestry, and community.

Fairy and folk tales are shaped by the values and fears of the cultures that tell them. Take Little Red Riding Hood, for example. In the original French version by Charles Perrault, the story ends with Red being eaten. A stark warning about the dangers of naivety and talking to strangers. Two centuries later, the Grimm brothers added a huntsman who rescues her, softening the tale but still portrays Red as a naive child with no common sense that needs a man to rescue her from her own stupidity. In China’s Lon Po Po, three sisters cleverly defeat a wolf disguised as their grandmother. In West Africa’s Pretty Salma, the story is reimagined with vibrant market scenes and a trickster dog. However, in some modern versions, Red is a sweet girl who outsmarts the wolf and saves her grandmother. Each version reflects different cultural fears, values, and expectations.

Fairy tales offer insight into social norms, gender roles, and moral expectations. However, many students today encounter fairy tales primarily through Western adaptations, for example, Anderson, Perrault, Grimm and more recently, Disney. As we are all aware, the latter often simplifies complex narratives into polished versions where good triumphs, evil is vanquished, and everyone lives happily ever after. However, we all know that life is not a happily ever after scenario. We also know that many of these fairy tales have not aged well and their depictions of women and other minority groups are outdated and sometimes offensive.

Fractured fairy tales offer a powerful way to revisit these traditional stories and challenge the assumptions they carry. By twisting familiar plots, reimagining characters, and shifting perspectives, fractured tales invite students to question stereotypes and explore alternative narratives. These adaptations provide a meaningful way to integrate classic and traditional tales into the curriculum as shared cultural knowledge as these stories are familiar, accessible, and often deeply embedded in popular media and literature. By engaging with them critically, students can recognise the stereotypes they contain, such as passive heroines, villainous outsiders, or heroic princes, and begin to unpack the social messages behind them.

As mentioned previously, traditional tales often portray female characters are passive, villains are irredeemable, and heroes are defined by their ability to rescue others. Fractured versions ask: What if the princess saved herself? What if the villain had a backstory? What if the tale took place in a modern classroom, a refugee camp, or a suburban street?

Fractured fairy tales are re-imaginings of traditional fairy tales and they are more than just creative exercises. They are acts of critical literacy. Fracture tales encourage students to analyse how stories shape our understanding of identity, power, and justice. They also provide space for students to insert their own voices, experiences, and cultural perspectives into the storytelling tradition.

A compelling example is Disney’s Maleficent (2014), which reinterprets Sleeping Beauty through a postmodern lens. Rather than portraying Maleficent as a one-dimensional villain, the film gives her emotional depth and agency. It highlights the impact trauma can have on emotional stability and the ability to make future connections. Maleficent’s loss of her wings to Stefan’s violence triggers a cascade of vengeance. This violent action of Stefan gives the viewer a reason why Maleficent cursed Aurora. It was not a random event, but rather retribution for past actions. Furthermore, Aurora awakens not through a prince’s kiss, but through Maleficent’s maternal love that grew despite the hatred and anger. It assuaged her internal trauma and avoided the trope of romantic salvation. Maleficent uses intertextuality to challenge the “grand narrative” of the original tale, offering a more nuanced and inclusive version of the story.

For educators, fractured fairy tales are a rich tool for both literary analysis and creative writing. They allow students to explore genre conventions, experiment with structure, and reflect on the social messages embedded in familiar texts. By comparing global versions of tales and then reworking them with a modern lens, students learn that storytelling is not fixed. Instead it celebrates how stories continue to be fluid, diverse and deeply personal.

There are numerous fractured fairy tales that can be used effectively for academic and recreational purposes. So… why not use them for your own teaching and learning… And fracture some stereotypes along the way.

Books:

  • The True Story of the 3 Little Pigs by Jon Scieszka m- Told from the wolf’s point of view, this witty retelling flips the narrative on its head.
  • The Stinky Cheese Man and Other Fairly Stupid Tales by Jon Scieszka – A collection of absurd and hilarious twists on familiar fairy tales.
  • The Wide-Awake Princess by E.D. Bakerm – Princess Annie is immune to magic and sets out to rescue her enchanted sister, challenging traditional gender roles.
  • Peter and the Starcatchers by Dave Barry and Ridley Pearson – A prequel to Peter Pan that adds depth and adventure to the original tale.
  • The Wishing Spell (Land of Stories series) by Chris Colfer – Two siblings fall into a world where fairy tales are real—and not always as expected

Films

  • Maleficent (2014) – Reimagines Sleeping Beauty from the villain’s perspective, exploring themes of agency and maternal love.
  • Shrek (2001) – A satirical mash-up of fairy tale tropes that challenges beauty standards, heroism, and social norms.
  • Into the Woods (2014) – Intertwines multiple fairy tales with darker consequences, highlighting moral ambiguity and personal responsibility.
  • Ella Enchanted (2004) – A feminist twist on Cinderella, where the heroine fights against magical obedience and societal expectations.
  • Enchanted (2007) – A fairy tale princess lands in modern-day New York, confronting real-world complexities and stereotypes.
  • Hoodwinked! (2005) – A comedic retelling of Little Red Riding Hood as a crime investigation, with multiple unreliable narrators.

Book Review – The Hallmarked Man.

Robert Galbraith’s The Hallmarked Man is a riveting addition to the Cormoran Strike series, delivering a classic whodunnit with a modern edge. Published two years after the last book in the series, avid readers (aka me) were very excited about the release. The Running Grave (Book 7) was easily the best book I read in 2023, so I was very, very excited about this new title which was released today around the world. I excitedly opened up my Kindle edition at 12.01AM and picked up my hardcopy version at 10.15am. The eBook/Kindle version may be portable, but the hardcopy will always win with me!

The story opens with a gruesome discovery—a mutilated corpse whose identity has been deliberately obscured. Strike and Robin Ellacott are tasked with unraveling not just who the victim is, but why someone went to such lengths to erase him. The mystery is layered and atmospheric, steeped in London’s underbelly and the world of antique silver, with plenty of red herrings and unexpected turns.

I found the references in the novel to the Freemasons interesting, and the novel did often allude to the role Freemasons have in public office may be compromised by their own allegiances. This theme of secret societies is rather popular and does seem to appear in several crime and thriller fiction across a range of authors.

As the investigation deepens, Strike finds himself under media scrutiny, with past indiscretions resurfacing and threatening to derail both the case and his reputation. This subplot adds tension and continuity for longtime readers, tying in threads from earlier books and forcing Strike to confront uncomfortable truths.

The novel also tugs at the heartstrings, especially when Strike reflects on the death of his beloved uncle Ted—a man he calls a “proper man”—whose quiet strength and moral compass shaped Strike’s own. In a surprising emotional turn, Strike rekindles a relationship with his estranged father, Jonny Rokeby, adding layers of vulnerability and reconciliation to the narrative.

Ellacot, meanwhile, is navigating her own emotional minefield. Her feelings for Ryan Murphy—a charismatic, Paul Newman lookalike—are complicated by her loyalty to Strike and the unresolved tension between them. She’s also forced to confront the eternal juggle between motherhood and career, a theme that’s handled with nuance and realism, reflecting the pressures many women face in balancing ambition with personal life.

The novel is rich with minor plot twists that add texture without overwhelming the central mystery. Each twist feels earned, contributing to a narrative that’s both intellectually satisfying and emotionally resonant. Galbraith doesn’t shy away from darker realities either—human trafficking of young women is woven into the case, serving as a sobering reminder that this global crisis remains urgent and unresolved.

Galbraith’s prose is sharp, the pacing tight, and the resolution deeply rewarding. The Hallmarked Man is a triumph—gritty, elegant, and impossible to put down.

Book Review – The Vanishing Bride

Bella Ellis’s The Vanished Bride (2019) is more than a historical mystery—it’s a poignant reflection on the constraints and quiet rebellions of women in Victorian England. Set in 1845, the novel imagines the Brontë sisters—Charlotte, Emily, and Anne—as amateur detectives, drawn into the case of a young bride who disappears under violent and mysterious circumstances. While the plot is rich with gothic suspense and clever twists, its emotional core lies in the exploration of female suffering, silencing, and survival.

This book was an unexpected surprise. I have always been a fan of Austen adaptations, but I had never really looked for other works. Then I saw this book. Just sitting on a shelf in Chermside Library…. What drew me in, pulled my eye onto a shelf filled with books, was the cover and the beguiling title – who vanished?

The vanished bride herself becomes a symbol of the countless women whose voices were erased by marriage, patriarchy, and social expectation. Her disappearance from a blood-soaked room is not just a mystery to be solved—it’s a metaphor for how women were often consumed by the institutions meant to protect them. The Brontë sisters, still unpublished and largely dismissed by society, are portrayed as fiercely intelligent and empathetic women who refuse to accept the limitations imposed on them. Their determination to uncover the truth is an act of resistance, a refusal to be passive observers in a world that demands their silence.

Ellis’s depiction of the sisters is deeply respectful of their historical reality. Each woman brings her own perspective shaped by hardship: Charlotte’s yearning for recognition, Emily’s wild defiance of convention, and Anne’s quiet moral clarity. Their investigation is not just about solving a crime—it’s about asserting their right to think, to question, and to act. In doing so, they challenge the rigid gender roles of their time, offering a glimpse into the emotional and intellectual lives of women who were often denied both agency and autonomy.

What makes The Vanished Bride especially compelling is its ability to weave these themes into a gripping narrative without ever feeling didactic. The gothic setting, the eerie clues, and the complex characters all serve to highlight the emotional toll of being a woman in a world that sees you as property, decoration, or burden. Through the Brontës’ eyes, Ellis invites readers to consider not just the mystery of a missing bride, but the deeper mystery of how women endured, resisted, and ultimately reshaped the world around them—often through the power of storytelling itself.

Book Review – The Diabolical Bones

Thank you @Brisbane City Council!

Bella Ellis continues her Brontë Sisters Mystery series with The Diabolical Bones (Book 2 of a 3-part series), a chilling and atmospheric historical whodunit that blends literary homage with gothic suspense. Set in 1846, the novel sees Charlotte, Emily, and Anne Brontë taking on the role of amateur detectives when the bones of a child are discovered bricked up in a chimney at a remote farmhouse. The sisters, driven by compassion and curiosity, unravel a dark tale involving occult symbols, local legends, and sinister secrets buried in the Yorkshire moors.

The book is filled with lots of little hints from the Bronte classics… so much so that I am about to go and re-read Jane Eyre.

Rating:

Rating: 4 out of 5.

The Whimsical Wonder of Readathons: Reading for Joy, for Fun, for Pleasure!

Normally, my annual fundraiser is Frocktober, where for the month of October, I celebrate the gloriousness of frocks whilst fundraising for the Ovarian Cancer Research Fund. But this year, I’m mixing it up with something equally delightful and just a bit more bookish: a readathon! And not just any readathon—The World’s Coolest Readathon, hosted by the Australian Book Foundation. I saw that another wonderful Teacher Librarian Barbara from Bourke High School had signed up and then I thought… why not do it myself?

And what better way to kick things off than with a mystery? My first book for this readathon is Diabolical Bones by Sue Ellis—a Brontë Girls Mystery, borrowed from the ever-wonderful Brisbane City Council libraries. Gothic Yorkshire, clever heroines, and a touch of the macabre? Yes please.

A readathon, I’ve decided, is the perfect sequel to Book Month—like the epilogue where the characters (aka readers) get to celebrate their love of stories with wild abandon. It’s the encore performance, the bonus chapter, the literary afterparty.

Once upon a time, in a land not so far away (okay, it was my bedroom in Brisbane’s Southside), I embarked on a noble quest: the MS Readathon. Armed with a stack of books taller than my bedside lamp and a sponsorship sheet that made me feel like a literary philanthropist, I read my way through mysteries, adventures, and magical lands—all while raising money for a good cause. It was glorious.

Fast forward to today, and I find myself whispering reminders like a mantra: Read for fun. Read for joy. Read for pleasure. Because somewhere between grown-up responsibilities and inbox avalanches, the simple delight of reading can slip through the cracks.

Why Readathons Are Brilliant (and Backed by Science!) 

Readathons aren’t just nostalgic—they’re powerful tools for literacy, wellbeing, and community. Here’s why they’re so magical:

They Spark a Love of Reading: Choosing your own books makes reading feel like breathing—natural and joyful.

“Until I feared I would lose it, I never loved to read. One does not love breathing.”

–Harper Lee, To Kill a Mockingbird

They Boost Brains and Wellbeing: Reading for pleasure improves mental health and cognitive skills.

“Reading gives us someplace to go when we have to stay where we are.”
— Mason Cooley

They Create Lifelong Readers: Even reluctant readers get swept up in the fun.

“A reader lives a thousand lives before he dies. The man who never reads lives only one.”
— George R.R. Martin

They Build Community: Fundraising through reading turns stories into shared kindness.

“No act of kindness, no matter how small, is ever wasted.”
— Aesop

A Readathon Renaissance

Whether you’re a teacher, parent, librarian, or just a book-loving human, readathons offer a delightful way to reconnect with the joy of reading. They’re flexible, inclusive, and can be tailored to any age or interest. Plus, they’re a fabulous excuse to wear pajamas all day and call it “literary immersion.”

So if you, like me, sometimes need a nudge to read for the sheer pleasure of it, consider joining or hosting a readathon. You’ll be part of a movement that’s not just fun—it’s transformative.

And if you’re ready to dive in, check out The World’s Coolest Readathon. It’s got all the charm of the MS Readathon days, with a modern twist and a mission to make reading joyful again.

References